About 400metres to the south of Eton Manor, this Old Etonian got his well-deserved reception a year ago this week.
Submitted by Steve Dowding on Thu, 05/09/2013 - 13:47.
As part of the London Olympic Park reopening festival artists Bompas and Parr will contaminate the River Lea - which has suffered unprecedented pollution-related fish kills this week - with bulk quantities of fluorescein dye to turn it a lurid green.
Submitted by Charles Batsworth on Sat, 27/07/2013 - 17:47.
Submitted by Steve Dowding on Fri, 05/07/2013 - 16:42.
It's Not For Us
This paper examines the much-hyped 2012 Olympic Games ‘legacy’ in relation to the displacement experiences of lower-income East Londoners. The paper begins by outlining the overall context of housing-related regeneration including the reduced role for social housing, especially council (public) housing in London.
Submitted by Martin Slavin on Wed, 12/06/2013 - 08:18.
Submitted by Steve Dowding on Wed, 08/05/2013 - 08:56.
Back in September Games Monitor reported that the amount of affordable housing in the Aftermath Zone (it's time to think of some more imaginative names than the QEII Park - suggestions welcome) would be reduced to 28%. The LLDC had waited to reveal this to, of all people, an American Community Land Trust organiser, Greg Rosenberg, who was visiting London to promote CLTs.
Submitted by Julian Cheyne on Tue, 23/04/2013 - 03:41.
Submitted by Steve Dowding on Mon, 01/04/2013 - 00:00.
The personal story of Olympic pundit, filmmaker and journalist, Mike Wells: an entertaining yet troubling tale of wrongful imprisonment and intrigue. Wells uses the London Olympics as a lens through which to look at the state of Britain.
The case against me was the result of an unscheduled Olympic boxing match. It occurred in April 2012 at Leyton Marshes outside a construction site where basketball courts were being built for the Games. Local opposition to the basketball facility was passionate because it was being erected on much loved parkland. Protesting grandmothers, dog walkers, and transvestites amongst others had made themselves unpopular by sitting in front of construction vehicles. I was there shooting footage for my film ‘London Takes Gold’.
I arrived at Leyton Marshes, a beautiful green space in East London, to find an excavator working in open parkland without safety measures. ‘Worth filming’ I thought. A passing walker suddenly veered from his course and stood in front of the machine. He started yelling at the driver to stop work owing to the likelihood of crushing dogs and people with the machine’s wildly swinging arm.
Submitted by Mike Wells on Fri, 29/03/2013 - 15:13.